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For any of us wannabes to share in the magic of this lost artform, we have to bring a bit more more to the table than some vintage amps & keyboards and vague undeveloped musical ideas based only in hipster aesthetics. Because if you ignore the deeper intricacies of the music theory at work, the orchestration, the arrangement, etc., you’re really only asking to make an ass of yourself (which is likely anyway no matter what you do). But the usual thing is to sample stuff or simply borrow themes from the masters and to then repackage them in a new “updated” context. Well, in a climate like that we should emphasize that Le Mani Destre Recise Degli Ultimi Uomini is quite simply an album of original compositions. The process should be likened to when someone is learning another language and begins to have dreams in that language. It’s the same process in any style of music, really. So to state it plainly, these are original compositions that were dreamt into being in the harmonic language of the Giallo Horror Film Soundtrack. The point is not to be strictly period- specific, or culturally- specific, but to be psychically specific — caring first and foremost about how to convey things that will affect the psychic state of the listener in the intended way. After all, the point of dreaming in this particular language, with all its sophistication, elegance and beauty, is to go that much more deeply into the territory of nightmare.. The material runs the gamut; dissonant violent strings receding to beautiful textures with flute and female vocals through echoplex; analog synthesizers, harpsichords and celestas over a tight ’7. Evil.. If you can imagine all that produced to the standard found on any other Secret Chiefs 3 release, you’ve pretty much got the idea here. The album was mixed analog to 1/2 inch tape. LP comes in 1. 80 gram vinyl. CD is a mock gatefold LP, with a printed sleeve. Pure win. Album preview.
Breaking Bread: Tom Brokaw and Winston Churchill. This is the story of Cassius Marcellus Clay . He forestalled further ado by slicing off the assailant. He was 8. 4 at the time. Clay Weds Pretty Dora. She ran away repeatedly from home and from the boarding school to which her husband sent her. AF Leach 'The Schools of Medieval England' (1915). THIS is the first attempt at a history of English Schools before the Reformation, reckoned. Memoirs & Diaries - France, Egypt, Mesopotamia 1915-1916. Background To the Diary. On 5th November 1914 Britain declared war on Turkey and a few days later the first. Bread baking tips to improve the taste and look of your whole wheat bread recipes. Green Clay and the former Sally Lewis, Cassius Marcellus Clay was born on Oct. White Hall, his family. Returning home after earning a law degree in 1. Lexington, served three terms in the Kentucky General Assembly and was a captain in the 1st Kentucky Cavalry in the Mexican War. In 1. 84. 4, he freed his own slaves and the next year started The True American, an emancipationist newspaper published in Lexington. His proposals for gradually ending slavery, which he also promulgated in public lectures, did not go over well in Kentucky. He kept a cannon on hand to protect the newspaper office from looming mobs and weathered several more attempts on his life. General Clay, who in the 1. Republican Party, was a friend and staunch supporter of Abraham Lincoln. After the outbreak of the Civil War, he organized the Cassius M. Clay Battalion, a corps of several hundred volunteers charged with protecting the White House. In 1. 86. 1, Lincoln appointed him minister to Russia, a post he held through the following year and again from 1. Petersburg, General Clay was instrumental in brokering the deal that in 1. United States purchase Alaska. The general. Barricaded in White Hall with a veritable arsenal beside him, he pined for the faithless Dora and worried obsessively that enemies, real and imagined, were coming to kill him. Photo. In 1. 90. 3, The New York Times ran two articles pondering the level of General Clay. He fathered a string of children . Two daughters, Mary Barr Clay (1. Laura Clay (1. 84. In 1. 85. 3, he donated the land for what became Berea College in Berea, Ky. Established two years later, it was the first interracial and coeducational college in the South, open to blacks and to women from its inception. General Clay was buried in Richmond Cemetery, in Richmond, Ky., and his funeral was newsworthy for the racially mixed crowd in attendance.. Exeter Memories - This Month in Exeter 1. Loading. Forum and contact EMail. Buy Books and Downloads. New - Exeter Pubs. Also explore the British Newspaper Archive for free. This Month in Exeter - 1. Many changes in wartime city. Page updated 3. 0 November 2. This Month 1. 91. This Month 1. 91. Back to historic events in Exeter. These newspaper snippets are from the Western Times, and the Exeter and Plymouth Gazette. The months are in reverse, with January 1. Thanks to the British Newspaper Archive. December 1. 91. 5Old- Age Pensioners and Out- Relief At the meeting of the Exeter Guardians of the Poor yesterday, the Governor (Mr. Edwards) presiding, a communication was read from the Fareham Union, asking for support to the following resolution: —. The, Governor said the matter was discussed at the Poor- law Conference, and it was there decided that the present was not the time for attempting to interfere with what the Government had done—(hear, hear). It decided that the communication should lie on the table. The Master announced gifts of toys for the children of the Infirmary from Miss Geare and Mr. Hinton Lake, and periodicals from Mr. Branscombe, Cross Park, Heavitree. The Deputy Governor (Mr Stoneman) gave notice of his intention to move, at the next meeting, that the recipients of out- relief be granted extra relief for Christmas, i. The Clerk read the report of the Devonshire Vagrancy Committee, showing that there was a balance at the bank of . Western Times - Wednesday 0. December 1. 91. 5Heavitree A Hospital Sunday church parade, substituted for the pre- war carnival, has been held here. The members of the various Friendly Societies assembled at Marwood House, at the east end of the town, and, headed by the Town Band, paraded the borough, being joined at the Guildhall by the Mayor (Mr. F F Buckingham presiding), the House Committee reported that they had granted Mr White, Superintendent of the Children's Home, Leave to join the Army, and decided to make up the difference between his salary and the Army pay, and to reinstate him upon his return. The same Committee recommended that the vacancy caused by the resignation of Miss Scanes, assistant nurse, be filled by the appointment of Miss Lane, now employed as temporary nurse.–the report was adopted. Western Times - Friday 0. December 1. 91. 5Heavitree Man Found Dead An elderly man, named James Lucraft, a jobbing gardener, residing alone in a house in the rear of 3, North- street. Heavitree, had not been seen for some days, and this was remarked upon by the neighbours. Anxious to know what had become of him they communicated with P. S. Snell, of Heavitree, who, with P. C. He was on his back, and was only partly dressed. Whaite was called in and found life extinct. The body was removed to the mortuary to await the inquest. Western Times - Monday 0. December 1. 91. 5Local News An interesting and genuine series of cinematograph films, showing what is happening in the zone of war, will be produced twice to- night, and to- morrow and Wednesday night, at the Theatre Royal, Exeter. There will be a matinee on Wednesday. The series will be explained by Mr. Frank Carlton, war correspondent, recently returned from the front, and those who appreciate first hand details of stirring events and actual photographs of many striking episodes, will find the Theatre well worth visiting. Socks, in fact, have been repeatedly mentioned as far more important '. The Mayor of Lyme Regis, Mr. Woodroffe, has forwarded a cheque for 7s 6d for the Hospitality Fund, and explained it was the result of the proceeds of the sale of postcards of the . The photograph for the postcard was taken Mrs. Barrow, who did not desire to deduct any expenses. Exeter and Plymouth Gazette - Monday 1. December 1. 91. 5EXETER COUNCIL THE PROPOSED SMALL POX HOSPITAL To the Sanitary Committee the Town Clerk reported that the Conference at the Guildhall on the 1. November, 1. 91. 5, was attended by the City Sanitary Committee and representatives Sanitary Authorities the County of Devon and of the Exeter Port Sanitary. Proposals for the joint provision of Small Pox- Hospital were laid before the Conference and discussed. The meeting, however, shewed a strong diversity of opinion in regard the principle upon which the cost of treatment of patients should be defrayed, Authorities, representing a population of 5. Authority undertaking the cost treatment its own patients, the capital and standing expenditure only being made a joint charge. The representatives of one Authority indicated that it was very doubtful whether, in any event, their Authority would enter into the proposed joint scheme.—The Committee resolved that it be recommended that the City Council do take action forthwith for the provision of a Small Pox Hospital for the needs of the City and the Exeter Port Sanitary Authority, and that the Sanitary Committee be authorised to purchase a site at a cost not exceeding . Shortly after 1. 1 o'clock Samuel White, sawyer, was at work on the steam circular there and was sawing a plank–not a particularly big one–when a portion of it flew back and knocked him over. He was thrown about 1. A motorcar belonging to the firm was immediately requisitioned and he was taken to the Royal Devon and Exeter Hospital, but died from fracture of the skull just as he was admitted there. Deceased was 3. 5 years of age, and resided at St Davids. He was a married man with one child. The inquest has been fixed for to- day at 3. Western Times - Wednesday 1. December 1. 91. 5What the Devon and Exeter War Hospital Supply Depot is Doing . Honiton. 5 dozen roller bandages. Torbay, 6 dozen roller bandages. Chudleigh, 1 dozen T bandages, 1. Topsham, 3 dozen sphagnum moss bags; Teignmouth, 1. T bandages. He was noticed driving from one side of the thoroughfare to the other, and it was remarkable, the police reported, that there was not an accident, both with a tram- car and motor- car.—Fined 2s 6d,Western Times - Friday 1. December 1. 91. 5Heavy traffic. Rarely have the streets of Exeter been so congested as they were yesterday, and it speaks much the careful supervision of the police that the only real accident reported—that of four people being knocked down, though not seriously injured, and the plate- glass of a shop smashed through a Government lorry skidding—could not be described to their negligence. The troubles of the gentlemen in blue on point- duty were not decreased by the fact that's the ordinary traffic was augmented by a fleet of motorcars engaged in a patriotic work of conveying wounded soldiers to and from the Hippodrome, where they had been entertained by the kindness Capt., Sir W P Xeek and a number of huge government motor lorries which passed through the city. But the Exeter police are used to dealing with heavy traffic, and they kept things going in a remarkably efficient manner, and breaks in the traffic were few and far between. Exeter and Plymouth Gazette - Thursday 2. December 1. 91. 5A XMAS WELL SPENT At No. VAO Hospital, Heavitree Road, Exeter The following description by a soldier of how the patients at No. Hospital, Exeter, spent Christmas Day will be read with extreme interest: —Christmas Eve. The hour, 8. 3. 0 p. We were ordered into bed by the day nurses in charge of No. Ward, and told to get to sleep at once, or else Father Christmas dare not enter the Hospital. The patients, numbering about 7. At 9 p. m in the darkness there stole into the ward someone, presumably a substitute for Father Christmas, with a hamper full of good things. This good Samaritan began to distribute his goodies in the several stockings, etc. This over the usual bidding of comrades good- night took place. But to our surprise the waits started their carols outside our windows, and continued until 1. At last the long- looked- for sleep came, and lasted until 4 a. I found someone tugging at my bed rail. Oh, such a funny burglar; just fancy, dressed in nurse's clothes! I quietly watched the movements of this night intruder stuffing the stocking full of good things for the patients when the time came for them to wake up. Presently such a crash—the burglar had dropped the swag. I could hear her tittering, but on she plodded with weary hands, as there were several more operations to complete before all the stockings were filled. At last the deed was done—exit the burglar. I woke my comrades; it was then 5 a. Switching on the lights, we started to sing . And then to await the arrival of the doctors, whom we are always so proud to see, for they are the cleverest physicians it has been our lot to be under, or, Tommy says, ! Rose, Miss Butcher, Miss Clark, Miss Smith Reuse, Miss Gray, Miss Cowan and Miss Crump. The dinner was excellent, consisting of turkey, sausages, plum pudding, trifle and stout, to which everyone did full justice. Speeches followed, one Staff Sergt.- Major Valler, of the 5th Batt. Dorsets, who spoke admirably of General Sir Redvers Buller, under whom he had served for a number of years. We had the pleasure of the company of Miss Buller, the daughter of that gallant General, whom we all loved. Miss Buller responded to the speech. Her words were excellent; so extremely kind and nice is Miss Buller that anyone who comes to the hospitals in Exeter gets quite endeared to her great, kind heart. Atkins, 0. C., Colonel and Dr. Pullen, who we all think did their duties exceedingly well, for which we thank them. Their pleasant faces added greatly to our enjoyment. The speeches being over, adjourned to our different wards, were we spent the remainder of the day enjoying all the goods things that had been presented to us by the doctors, matron, sister, nurses, and townspeople, not forgetting Santa Claus, the burglar. If you had seen their bright, smiling faces, and heard the jokes they cracked, you would have joined with me in saying . Wishing you all a prosperou New Year. THE MAGNIFICENT SEVEN - Official Trailer (HD)Justice has a number #Mag. In theaters September 2. For more of 'The Magnificent Seven': FACEBOOK: https: //www. 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Check out the MacBook, iMac, Mac Pro, and more. Visit the Apple site to learn, buy, and get support. AMERICANA: 'The Representation of Women in Walt Disney's Productions in the Studio Era' by Emma B Below is the full broadcast schedule from 29th August – 11th September, 2016 Use the arrows to go forward or backwards a week. Clicking on individual calendar. Audio Network’s production music library has 122,292 high quality stock music tracks for TV, film, advertising and corporate video. Search, listen, download. Literary Fiction Genres. This list of fiction genres is drawn from numerous sources, including universities, author's pages, book vendors, public libraries, magazines. Email: Introduction. In this essay I will discuss a number of the Walt Disney Productions’ animated cartoons made during the studio era between 1. I approach these cartoons intended for audiences of all ages mostly through the perspective of feminist film studies asserting that the central women characters are actually reinforced stereotypes, who fulfill petty roles. By examining the early development of the Disney women characters, I am going to shed light on the images that were and still are disturbing for the young audiences since they present less acceptable role models. For my analysis, I will use relevant cartoons with episodes from the Silly Symphonies series (1. Disney studio and will scrutinize four feature films produced during the above- mentioned period: Snow White and the Seven Dwarfs (1. Pinocchio (1. 94. Dumbo (1. 94. 1), and Bambi (1. None of these stories seem to be authentic representation of women; they rather depict issues of male domination and images of male heroism characteristic of the given period. As a result, even the strong women characters in the animations created by Disney during the studio era fall back into the category of the stereotyped ones with the figures accepting their passive, submissive roles, all nested in the heteronormative, male- dominated milieu of the era. The Cinema Industry and the Studio Era. About the play: The Headless Horseman of Sleepy Hollow is Tony 'Sparx' Palermo's faithful, yet imaginative reworking of Washington Irving's classic tale of Americana. Galvanize the energy and resources of men for God, family, church and community. Italian Americans (Italian: italoamericani or italo-americani Walter Elias Disney had been engaged in the animated motion picture business for years before he opened the Disney Brothers Studio with his older brother, Roy Oliver Disney, on October 1. Barrier 4. 2). Along with the Hollywood dream factory, in times darkened by war and economic crisis, Disney soothed his audiences by presenting them a safe, enchanted place. Film, however, not only reflected “social changes,” but it also shaped “cultural attitudes” (Thornham 1. According to Jack Zipes, although Disney did not redeem the world, he actually managed through his films to fill a crucial role in the visual education of children and adults (1. At the beginning of the twentieth century, fairy tales “reinforced the patriarchal symbolical order based on rigid notions of sexuality and gender” (Zipes 1. Disney’s productions. This can be observed in the company’s earliest works, the so- called Newman Laugh- O- Grams, in which Disney simply adapted well- known fairy tales that he replaced into a modern setting. One of such fairy tales was Cinderella (1. Prince Charming. Since Disney’s primary goal was to sell his products, he needed to flatter not only children, but their parents, as well (Booker xxi), so he and his crew often chose to adapt the mainstream societal rules in their films. However, he also scattered his productions “with delightful images, humorous figures, and erotic signs” (Zipes 2. Ultimately, as Zipes wrote, Disney gave in completely to the social constraints, managing . In other words, he invented and put into motion a commercial scheme that he and his successors could reuse in their cartoons for years to come. Disney’s most innovative animated films were made between the 1. Barrier X), during the golden age of film studios which was the zenith of the cinema industry (Cristian and Dragon 1. During this period the studio system was at its peak of development with eight film studios dominating the whole American motion picture industry, including the distributors of Disney’s cartoons as well (Belton 6. At this time, through the practice of vertical integration, studios controlled “the modes of production, distribution and exhibition” as well (Hayward 3. At the end of the 1. Hollywood Antitrust Case (1. Belton 8. 4). During the studio era another restrictive step was taken, the scope of which outlasted the studio system itself. The Production Code Administration (PCA), established in 1. Motion Picture Production Code (Shurlock 1. The Production Code, first drafted in 1. Shurlock 1. 41), which were brought into practice “with the aim to ban indecent and immoral films” (Cristian and Dragon 7. Accepted movies were issued the Seal of Approval upon their completion, which had to be exhibited in the film’s credit title (Shurlock 1. The provisions of the code bound the activity of all member studios, including the Walt Disney Productions. To comply with the moral rules of the PCA, during the making of Fantasia (1. Disney’s animators were asked to add brassieres to the originally half- naked centaurette figures in the sequence titled The Pastoral Symphony (Maltin 6. Keith Booker observed, “the makers of children’s films have all too often assumed that the innocence of their audiences will somehow protect them from any potentially harmful readings of the films; ” and in many cases, Disney artists as well were ignorant to the fact that certain images may carry racist or sexist implications (3. Nevertheless, the restrictions of the PCA had a significant role in shaping all kinds of films, including the Disney animations. Disney’s Educational and Propaganda Short Films. The Disney strike of 1. Barrier 1. 70), was a light blow that hit the company . As a result, the European film markets had almost been “wiped out” (Barrier 1. Although Disney, at first, was not entirely keen on making educational and war- related technical movies, he could not afford to decline the requests (Barrier 1. Disney to show his patriotic support for the United States in the midst of a world- wide war, but were also a good source of income; they were created upon request and amply paid for, primarily by the U. S. The primary aim of these educational and propaganda animations and live- action productions was to promote political issues; later, these were joined by shorts related to health and hygiene, too. Since these were all instructional films, they aimed to depict the then typical society, the nuclear family with its prescribed heteronormative roles: therefore, the women in the educational productions were primarily expected to learn how to clean the house . Cleanliness Brings Health and Planning for Good Eating are actual episodes of the Health for the Americas theatrical cartoon series, created upon request for The Office of the Coordinator of Inter- American Affairs. The shorts (among them How Disease Travels, The Unseen Enemy, Insects as Carriers of Disease, The Human Body, Infant Care, Tuberculosis, Hookworm, Environmental Sanitation) were intended primarily the for audiences of South America with the aim of teaching them the North American standard of living (Griffin 3. The drawings of these cartoons are not elaborate, but they are illustrative, so that even those who do not speak English may get the message Disney is communicating. A negative attitude towards the natives’ traditions pervades many shorts, for instance by the use of foreigner language. In Cleanliness Brings Health, the Clean family is compared to the Careless family, while in Planning for Good Eating, the Careless family is instructed how to live a better life. In both cases the Clean family is happy, healthy, and lives in a colorful, nice home, while the Careless family is sick, sad, and lives in poor conditions. The Clean mother in Planning for Good Eating wears make- up, ear- rings, a shirt with a big cleavage, and even her hair bun is tighter, as opposed to her poorly dressed, malnourished counterpart in the Careless family; moreover, the Clean mother in Cleanliness Brings Health keeps the food clean, often sweeps the house, bathes her son, and washes clothes with soap, indicating that these are the activities a South American mother should spend her days with, too. However, the comparison is unjust in both cases, because in the former the financial stability and economic prosperity allows the Clean family to eat healthily, while the meager backgrounds of the Carelesses show an obvious poverty that does not allow such daily luxuries. What is more, the Clean women in both animations are virtually degraded to the level of a cook or a maid, a domestic stereotype serving “to reinforce and/or create the prejudices of their male audiences, and to damage the self- perceptions and limit the social aspirations of women” (Thornham 1. Additionally, The Story of Menstruation, tackles a taboo topic that has not really been present on screen before. The short was made for a private company, the Kimberly- Clark Corporation, who produced women’s hygiene products. Being an educational animation, it contravenes some of the rules of the Production Code, which prohibit the portrayal of sexual contents, including “sex hygiene.” In the context of the moral atmosphere of the time, this cartoon is a symptom of Disney’s unwillingness to openly claim certain productions; on purpose, he omits the name of the director and even of the animators from the title scene or from publicly available sources. Moreover, the subject in the short is explained in a sterile and mystifying manner: the flow of menstruation itself is visually tabooed (turns completely white), while impregnation is vaguely described as a tautology of “which happens when a woman is going to have a child.” The Story of Menstruation is most likely the first occasion when the word . During the first half of the movie, there is a lot of attention paid to differences between the looks of women; but in the second half, hastily drawn female characters with oversized heads, curvy figures, lots of make- up, and with virtually no feet demonstrate how young girls can survive . These women, who look very much alike, shower, ride a horse and bicycle without feet, and even lift a couch while doing housework, all demonstrating that girls can do whatever they want (or, what was expected of them to do generally) during their period. 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